Alfonso Montuori

Back in the late 80s and 90s I ranted and raved in print and off about the fact that our understanding of creativity in the US was focused exclusively on individuals—inevitably the lone male genius–and there was no recognition of creative interactions, of musical groups, theater productions, movie making, and the performing arts in general, let alone women (Montuori, 1989; Montuori & Purser, 1995, 1999).  A few decades later, the trend has shifted. Collaboration …